R.W.B. Roger L. Gotthardt, 32° - Sovereign Prince

| High Priest | R.W.B. Martin R. Trent, 32° |
| Senior Warden | W.B. W. Michael Lawson, 32° |
| Treasurer (Not Shown) | R.W.B. Ill. Ronald L. Connelly, 33° |
| Secretary (Not Shown) | M.W.B. Ill. James M. Williamson, 33° |
| Junior Warden | W.B. W. David Bannerman, 32° |
| Master of Ceremonies | W.B. Steve F. Taylor Jr., 32° |
| Master of Entrances | W.B. Richard W. Deak, 32° |
COUNCIL OF PRINCES OF JERUSALEM
The Council of Princes of Jerusalem confers the 15° and 16°, which teach
lessons using the settings based on the Babylonian captivity of the Jews and
the building of the second Temple.
In the Northern Masonic Jurisdiction of the United States of America,
Council of Princes of Jerusalem
stands alone as the second of the four bodies, which comprise a complete
Scottish Rite Valley (not all Valleys have all the 4 bodies). In the
Southern Jurisdiction, however, the 15° and 16° degrees are part of the Rose
Croix Chapter, which is the second of the 4 Southern Jurisdiction bodies.

The Fifteenth and Sixteenth Degrees of Scottish Rite Masonry are known as
"Knight of the East " and "Prince of Jerusalem. These degrees sometimes
referred to as the historical degrees, constitute an allegorical narrative
presenting the story of a captive people who "wept beside the rivers of
Babylon". When liberated they were consecrated to the task of building the
second temple or rather of rebuilding the original temple of Solomon, which
had been destroyed by marauding Assyrians.
The entire pageantry and symbolism of Freemasonry devolves about the
construction of the four temples of Jahweh, by a brotherhood dedicated to
the erection of a perfect edifice at Jerusalem and later to building a
temple in the hearts of men.
In the characters of Daniel, Joshua, Zerubbabel and his companions the
earlier virtues of patience, courage, and fortitude are contrasted with the
disillusionment and loss of zeal that developed as the rebuilding of the
temple proceeded. The motif of this spiritual struggle is portrayed against
a tapestry, representing a scene of oriental and pagan splendor in the court
of one of the most imposing empires of history. This was the Achaemenian
dynasty at the height of its power. The ancient authority of Assyria and
Babylon, of Syria and Sidonia and of all the fabulous empires of the East
had been overthrown and the Persians ruled supreme.
Contrasted with the hauteur of these imperious monarchs is the humility of
the little group of those born in bondage pleading for the redress of an
ancient wrong. The lessons of the Fifteenth and Sixteenth Degrees are from
these elements of the historical drama which transpired during the reigns of
the Great Kings, Cyrus and Darius
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